dudi004 is this wonderful 9 track record (4 remixes + 5 originals) by aporia. the singer with the angel-like voice and the marvelous synthesizer melodies from new zealand. lean back and dive into wonderland. these tracks are smooth like baby skin. trippy synths and balearic gentleness or as aporia describes it supernatural, synthetic, tropical rock n roll. furthermore, we include 4 fantastique remixes by lits801, aussteiger, cosmic palms and s&w.

cia records is an imprint who has remained at the centre of drum & basses history, with esteemed producers total science creating it during the genre’s formative years in 1997. the forthcoming ep on cia, field’s ‘intention dub’, highlights the eclectic mix of artists who have joined the roster since its first release. featuring a variety of collaborative producers, the six-track ep exemplifies the talented intricacies of fields and his masterful song compositions. the names that run alongside fields stand out within their own right, with underground stalwarts mako, and mcleod, roller top dog break, frequent partner villem (who go under their pseudonym mute) and forren, who also makes an appearance. as a collective, they represent many of the artists who helped cia build their impressive back catalogue.

ltd full cover artwork 2018 repress edition - full cover artwork - supported by ricardo villalobos, shinedoe, onur Özer, matt star, brendon möller, thomas melchior, franco cinelli, sis, frank leicher, sascha krohn, andres zacco, edgar dirksen, jason hodges...

massive wackies dub album from prince douglas, originally released in 1980 - essential!

music from memory’s sister label second circle returns with their first release of 2018, this time with a 4 tracker ep from french producer and antinote via melody as truth affiliate d.k. aka dang khoa chau. titled mystery dub, this new record features two percussive house cuts on the a side with two more evocative compositions on the flip. recorded in his studio in the 11th district of paris, the release showcases a wide yet characteristic palette of sounds and textures the parisian artist has been sharpening over the years: atmospheric/hypnotic strings, warm pads, dreamy landscapes and spacial rhythms.

mitte der neunziger setzte sich terry lee brown jr. alias norman feller an eine symbiose aus techno und house, zwei damals sich eher gegeneinander ausspielende genres. heute ist tech-house dank deutscher labels wie pokerflat, perlon oder plastic city allgegenwärtig und hat selbst dem minimal-hype der letzten jahre standgehalten. mit letzterem label ist terry lee brown jr. eng verbunden. ein großer teil seiner langen diskografie wurde dort veröffentlicht. drei alben, unzählige dj-gigs, unzählige remixe, eine eigene dj-mix-cd-serie und immer wieder auch ausflüge in trance-, downbeat- oder breakbeat-gefilde – es ist eine erfolggeschichte. sein viertes album „karambolage“ ist das erste seit sechs jahren. gewohnt sicher und feingliedrig geht mr. brown ans werk. da sitzt jeder beat, da werden saubere melodien eingewoben und die balance zwischen musikalität und funktionalität ausgelotet. zum album erschien ebenfalls eine limitierte 7“ mit einem „karambolage-edit“, einem stück, das die fixpunkte des albums in einem ganzen verschmilzt. doch keine bange, es handelt sich nicht um einen liebloses medley. die edit-version ist ein ganzer track, der den status quo von terry lee brown jr. beleuchtet.

the 70s saw a growing interest in so called dub versions, an approach based on deforming, stripping and rebuilding the original tune and came known as dub music. king tubby along with other dub wizards such as, lee perry & prince jammy, were responsible for this exciting new dimension to jamaican music. however, most of these dub albums were pressed in very small quantities and disappeared quickly. one of those albums is dub expression by errol brown and the revolutionaries. no gimmicks on this one, he uses simple echo and delay, a few vocals sliding in and out, separate instruments floating on top, with respect to the melody of the tunes. a mixture of dub and instrumentals. enjoy these super tracks!
limited edition of 750 numbered copies on orange coloured 180 gram audiophile vinyl.

50s jamaican mento at its best, reissue of a double 10 inch album into one solid disc. happy and delightful jamaican mento played by local jazz musicians, recorded in the golden age of 78rpm sp singles.

grand ancestor’s eleventh release in the catalog features the legendary dub controller, ras muffet, of roots injection fame who’s had his tunes played by the likes of channel one, aba shanti, and jah shaka. with decades of dub experience, ras muffet dug deep into his vaults to produce two eerie dubs focused on the bottom frequencies and the continued evolution of the genre. steppers enthusiasts worldwide will be delighted to get this weighty 12” onto their turntables before this limited pressing is all gone.

body music album teaser is produced by a man who needs little introduction. thomas p. heckmann has flexed his prowess across all shades of electronic music, but it’s his contributions to ebm-techno, acid, industrial, and experimental that has earned him his notoriety.
heckmann has utilised 30 years worth of acquired knowledge to create a hard-hitting album and teaser which bears all the grit he is known for - harmonising analogue and digital wares to create an utterly immersive 14 track album. this 3 track teaser gives you a taste of what is to come.

figurehead of the japanese jungle scene, ishio dai releases “mirage / island dub” on his own effective label. working around a lick from skatalite legend, johnny moore.

gaining lots of support with releases on well-respected labels such as luke slaters mote evolver, its needless to say we are very happy and proud to add jeff to our selective roster of artists. brace yourself for three stunning techno tracks and a fantastic dub rework by andre kronert.

the italian artist has been a fixture of the underground since her precocious teens, clocking up many miles in control unit with ninni morgia (“it’s like catherine deneuve dumped two cases of post-repulsion psychiatric notes over pere ubu’s dub housing, lit the fuse and, ahem, stood well back” – julian cope), including collaborations with the likes of smegma, factrix, gary smith, aki onda and gate (michael morley of the dead c). through her own label, ultramarine, she has released music by the likes of raymond dijkstra, blood stereo and bene gesserit.

fully sonic, percussive & heavily dubbed skeletal tribal-acid-techno with hints of industry as well as digital insects fills dj sotofett’s a-side. juxtaposing rumble and lightness the drone landscapes of vera dvale features merel laine on vocals travelling through the mix & narration of the b-side’s entire 13 min. rather than flabbergasting this split 12” presents the core wania sound!

the label presents its anniversary release. bushwacka!

david gtronic is very well known for being a fundamental member of the famous vatos locos crew and for his badass releases on dissonant, kina music or sci-tec records. david was born in colombia and he s now based in berlin, from where he delivers this awesome ep called kryptoo.a kryptoo is a minimalistic journey of rough, metallic, cosmic percussions and spongy bass lines. deep pads and chords in constant evolution make these tracks a true hypnotic experience. topping it up we ahave dan farserelli remixing sequence, probably the punchiest and most direct track in the album

21st century urban electric gospel reggae. warning: this tune might make you believe in god...johndelahughes, discogs

2018 repress . since launching last summer, rasta vibez has carved a niche for itself among the drum and bass community for those seeking out some dub and reggae flecked jungle cuts for the dance. now, after a successful series of 10 inch hand stamped records, mystic pulse kicks off a new 12 inch series pushing a more serious and distinguished sound with style. both sides start off halftime but effectively evolve into breakbeat chaos, which has already proven to shake up the dancefloor big time. in short a must have for all ragga muffin junglists!

the fourth release on trevor jacksons pre- label is by skull. a visceral journey into experimental noise and no wave avant grade beatscapes the last skull release snapz appeared on jacksons own output recordings label in 1999. a seminal collection of tracks that had previously featured on the first two legendary mo wax headz compilations (also featuring autechre, beastie boys, air, and dj shadow) as well as tracks that had also appeared on kevin the bug martins notorious macro dub infection albums during the mid 90s. reactionary sonic statements aimed at the coffee table world of trip hop, fuelled by his dissatisfaction and dissillustionment with hip hop of the time, trevor pushed himself into uncomfortable and far more extreme areas than he had before, areas he felt unable to explore with his underdog productions, which were mainly being utilised for major label remixes at the time. influenced as much by the industrial pioneers, post punk and new wave of the past as the burgeoning post rock scene in the mid 90s, this new set of previously unreleased recordings originally produced between 1996-2000 are equally as intense and visceral as the early releases. dusty samples, raw beats, tape loops, and primitive effects combine to sound as relevant now as when they were initially created.

smile for a while bring us a sizzling-hot re-issue on their - all that jelly sublabel with thumpin beats by chicago grandmaster jordan fields. this slice of black gold came out on large records in 1994 and was now carefully remastered by german sound guru herb lf. you ll hear devastating 909 drums with loads of chopped up latin-style samples all hardware-honed with drum machines and an mpc. basement-style house for all the oldschool lovers out there. we don t make dance records, we make records you can dance to!

get pissed is a french duo known in paris for their popular -wrecka spinazz club- and -belleville boogie- parties that included daniele baldelli, margie, boris from ostgut etc on the bills. they are signing here singular ruff mpc tracks for their debut ep that has an uncommon signature between jazz, techno and deep beatdown. laroye on flipside has been already in the broken beat game for a decade at least. you might remember his three eps on faces records including some kinetic space jazz remix from inverse cinematics better known today as mcde. the french producer now based in brighton delivers something special again, journeying through disco, jazz and those west london signature beats. mgbk001 is an ep of two halves. the a-side bumps with two very deep house jams, whilst the b-side sees a freestyle disco-jazz we call broken beats. music for the mind, body and universal soul!
limited quantity - vinyl only.
already played by charlie bones (breakfast show nts, london), alex phountzy (bugz ita, namebrandsoound, ninja tune, london), soulparlor (mainz), brownstudy (planet e/third ear - detroit), louis dauvergne (copie blanche, paris)…

after the success of his recent comeback ep entitled exiles ep, the icelandic artist cold shows us that he is here to stay and ready to make his mark in the international techno scene. dub safari offers us intricate soundscapes and otherwordly chords which are impeccably assembled into five minimal techno masterpieces. a side starts with a dreamy voyage where ethereal pads seamingly blend with punctuating kick and a acid bassline. second cut gives us a darker experience. a pulsating groove where chords and percussions offer an interesting sonic playfulness. b-side offers three minimalistic techno tracks ready for both the dancefloor as well as for dancefloor within your mind. thule records is considered by many to be a pioneers in the field of dub-influenced techno music and was a starting point for many of iceland s most renowned electronic musicians

the mighty merv with 2 huge dub monster on the mysterious 3rd wave label. limited pressing with very special cut and engraving. unique split color with 180g. vinyl only.

optimo music don’t generally do limited edition releases but when the golden filter did these extra mixes of “end of times”, the a1 track off their recent ep we thought they were too good to remain in the digital domain so have pressed up a small run of 12” singles aimed specifically at djs. the original single version is a future synth classic. these new dub versions take it to the dancefloor and have been tried and tested around the world over the last few months. they are considerably extended, dubbed out and add extra dynamics & ecstatic synth power with hints of the original vocal. there is a slo mo version at 103 bpm and a faster version at 118bpm which means the track should work any time from warm up to peak set. there is also a drone-apella version included too.

a side feat jeanette thomas 1987 classic shake your body. flip for gwen guthries it should have been you!!

you definitely should go for it if you are in love with a quality dub techno. there’s nothing can be more dubby as this particular release that will undoubtedly blow your mind. watch out! it’s extremely hot one. vinport ltd. is very proud to be distributing this label exclusively. ubertrend records is quite established play on the world’s techno scene and is managed by denny kay. vinyl only. no repress. limited press.

hugh ‘redman’ james is one of the greatest jamaican music producers of the late 1980s. raised in a musical household in the west kingston slum of hannah town, with his mother a sound system selector, redman gained his initial schooling in the music business from none other than king tubby, the legendary sound system owner and dub mixer that was responsible for voicing and mixing some of the greatest reggae of all time. after being immersed in sound system culture during his youth in the 1960s and 70s, redman began sitting in on sessions at king tubby’s studio, but migrated to hartford, connecticut in 1978 in search of steady employment. returning to jamaica a few years later, he established a popular sound system in kingston and began producing music with king tubby’s assistance in 1985, working with the roots radics during a time of great uncertainty in jamaican music, as the new dancehall style came to prominence, early work featured gregory isaacs, sugar minott and frankie paul, as well as rising stars such as little john and horace martin. then, following the computerisation of dancehall, redman began producing some of the most popular music of the day, crafting durable and complex rhythms with a broad team of players that included steely and clevie, augmented by members of the browne bunch and other players. redman helped establish a number of total unknowns in this era, including carl meeks, dave bailey and wayne palmer, and became a serious contender for king jammy’s crown. but the producer was ultimately frustrated by the dramatic changes to sweep jamaican music in the early 1990s, and subsequently retreated from the music industry redman international dancehall 1985-1989 compiles the best work from his glory days, with half of the twelve vocal tracks coming complete with corresponding dub versions.

limited copies (1 per customer), vinyl 5 of 6 taken from the box

paris-based producer von d debuts on dub-stuy with a four-track ep of hair-raising and socially-conscious dub music boasting a cast of world-class vocalists and musicians. closing the ep is a sample of the legendary bunny lee talking about king tubby and lee perry birthing dub before von d unfurls his own studio experimentation on ‘surrealiste skank, a dedication to the timeless power of dub music. wicked scam further cements von ds talent for combining an authentic sound with a modern ear. the bass envelopes the listener without ever choking them, the melodies uplift the soul, and the lyrics feed the mind.

• latest from low jack and jean carval’s gravats label
• the return of black zone myth chant with a new lp of chopped and screwed electronics via deep space new age
• mastered by matt colton at alchemy

steppas records presents alpha steppa’s ‘3rd kingdom’ in dub! currently championed by a range of soundsystems and djs from across the bass music spectrum, from roots veterans channel one soundsystem and the legendary jah shaka soundsystem to uk steppers pioneers iration steppas and dubstep household names such as v.i.v.e.k, caspa & rusko.

topping off 2017, scrub a dub has signed two hot new producers with some fresh soundsystem weapons. unity sessions sound system resident somah delivers a spacious dub with whiplashing synths, while jsm comes with a gritty percussion lead piece entitled “king of kings”, rough and tough. these tracks are already gaining support from vivek, coki, bukez finest, mungo’s hi fi and many more. with only 500 copies pressed, here’s one 12- not to sleep on.

hard on the heels of his debut release, the -aloof ep-, anthone delivers a dense and dubbed out two-tracker to the weevil neighbourhood: -double dub- and -clear view-.

edit & dub unearth more unreleased gems! these are unbelievable takes of tee’s classic remixes with the music breaking down like never before, apparently direct from master tapes! lovers of joey negro & dimitri from paris should be very much into these. limited one-sider, dont sleep!

you go through your collection
and discover a gem you forgot about
you hear a track that transports you back
to a moment in time
you stumble across a track
you didn’t know you loved

the dub i lost is a compilation mixed and compiled by zepher in saint, founder of tribe records. and from it come 2 separate vinyl releases tribev10 and tribev11 that see house music royalty join tribe mainstays to create house music dubs, drenched in soul and rich in organic instrumentation.
tribev10 features tracks by teddy douglas, timmy regisford & arnold jarvis remixed by the legendary ron trent and danny krivit.

you go through your collection
and discover a gem you forgot about
you hear a track that transports you back
to a moment in time
you stumble across a track
you didn’t know you loved

the dub i lost is a compilation mixed and compiled by zepherin saint, founder of tribe records. and from it come 2 separate vinyl releases – tribev10 and tribev11 – that see house music royalty join tribe mainstays to create house music dubs, drenched in soul and rich in organic instrumentation.
tribev11 features tracks by sai & ribatone, alex finkin/vanina and oral deep remixed by the legendary larry heard and zepherin saint and oral deep respectively.

black orpheus returns with 2 dystopian club tracks melding soundtrack-synths, fuzzy drums and a subtle lick of detroit. one for the eyes down ravers!

back to paradise garage with more unreleased rare boogie & classic disco mixes featuring grey & hanks dancin, “master rocker” by bernard wright & melba moore’s “let’s dub together” plus a bonus b side by giorgio moroder! these exclusive cuts are only available on this 12&#8243,,, release so don’t sleep!

w+p by denis safiullin

nice price deal !!! d1 has once again come up with the goods, and delivered a brilliant old skool-influenced dancefloor track featuring the incredible vocal talents of none other than jenna g. its a bonafide anthem complete with a killer remix from subscape and a d&b remix from enei, thats been getting major support from tony colemna, kasra & hype to name a few.

scissor & thread ramp up the heat with the debut release by virginias deep house don, dj aakmael. known for his infectious grooves and deep and intricate instrumentation for more than two decades, this four track ep is in no short supply of teased out, peak time, classic deep house. the titular track wastes no time on the a-side with its hard hitting kick and springy bass holding court, while a hypnotic serpentine synth snakes along. the a2, what iz deep house, is a lesson for those who dont know what true deep house is. woozy, edgy chords take the spotlight as a dissociated voice slurs, what is deep house? a relentlessly thick kick, along with sharp as razors hi-hats and snaps, throttle the track into peak time territory. on the flip, sands is an aquatic affair, with its reverb laden pads and piano chord stabs submerging the floor in pelagic atmosphere. the persistent, euphoric bassline bump effortlessly slides its hooks into the listeners ears before a celestial piano melody pierces through the depths. frank & tony take things even deeper with their late night breakaway dub, applying their signature bass line touch and hi-hat shuffle in what may be their best remix to date.

music for dreams is proud to announce the new album by danish legend dub tractor. one of the founding fathers of electronica in denmark in the early 90s, anders remmer has remained a reluc-tant beacon of copenhagen’s scene ever since, with his musical legacy still a work in progress. as well as being a member of future 3, remmer has released material under a number of different aliases, but his most frequent guise dating back to 1994 has been dub tractor. under this name, he gently crafts complex yet warm and organic electronic music that flirts with ambient, dub and idm. with “hello ambient wash”, the first dub tractor album since 2009, remmer explores further the possibilities of dub tractor after the more pop-oriented & shoegaze-flavoured approach of his last album -sorry-. in addition to new material, the second half of “hello ambient wash” presents a ret-rospective of hand-picked tracks from his first three albums on flex records (the label which music for dreams founder kenneth bager ran with ole mortensen from 1994 to 2007). ... bonus info: nils frahm is a fan.

the debut dub syndicate set from 1982, pre-dating the involvement of mainstay style scott. this features various members of creation rebel and african head charge turning out a wild dub set, with hard-hitting rhythms and fx-mutated melodies phasing in and out of the mix . recorded quickly with track titles cheekily poking fun at the contemporary series by the scientist which pitted him against various b-movie foes. the tunes themselves however are deadly serious, with version excursions on some classic on-u vocal cuts such as “bedward the flying preacher” and “across the red sea”, and a continuing commitment by producer adrian sherwood to take his love of reggae and filter it through his exploratory and uniquely english approach. re-cut at dubplates & mastering in berlin. includes download card with bonus track and sleevenotes by steve barker (on the wire)

originally issued as a cassette on the roir label alongside the likes of bad brains, suicide and the contortions, this second album from 1983 is an uncompromising collection of heavy dub manners and experimental studio soundscaping. dreader than dread roots rhythms sit alongside delay-baked post-punk instrumentals such as drilling equipment and synchroniser first ever international vinyl edition, re-cut as a double lp at 45rpm for improved frequency response, includes bonus track blood shed dub from the classic disco plate series, download card, and gatefold sleeve with sleevenotes by michael dub shore and steve on the wire bar

unreleased archival tracks from the on-u vaults! serving the same purpose as the recent return of the crocodile set did for african head charge, this lp illuminates the early development of one of the flagship acts on the label, allowing some truly magnificent versions to be heard for the first time. mostly stripped-back raw takes, they highlight the rock solid rhythm foundation laid down by such incredible players as style scott and charlie eskimo fox, as well as three vital soul-in-the-echo-chamber interjections from the late, great bim sherman. essential early-80s dub damage.

hauntological dub taking the mystical eastern melodica scales pioneered by augustus pablo and applying them to a unique mix of reversioned cult themes and roots rockers. doctor pablo was a key member of creation rebel as well as contributing to such canonical albums as cry tuff dub encounter volume 1 and some of the early hitrun records sides, a pre-cursor to on-u sound. it is also the third album appearance by the dub syndicate. features the much-loved dub re-rub of the theme tune to classic british science fiction show doctor who.

increasing access to new studio technology resulted in this splicing of dub reggae dna with cut-and-paste sampledelia. anticipating the later work of labels such as def jux, wordsound and anticon, this 1985 album paired crack jamaican session musicians such as the roots radics’ drummer style scott (by this point the instrumental leader of dub syndicate) and the congos’ ashanti roy with public image limited’s jah wobble and keith levene, not to mention the restless mixing desk boundary-pushing of producer and de facto member adrian sherwood. a more reggaefied take on the industrial funk sherwood was making with tackhead during the same period, lovers of digidub, outernational sounds and even the wilder reaches of 80s hip-hop will find much to get lost in here

2020 repress on silver & black mixed 180 gram triple vinyl, housed in full colour sleeve with download code included. 15 years of prspct is nothing to be taken lightly... 12 tracks by 29 prspct artists. for sure the drum & bass/hardcore/breakcore album of 2017!

its good to know those ‘wow! moments still exist, like when we heard the first few seconds of dewaltas bitter earth dub. first things first though… this latest adventure in cocoons cult 10inch vinyl-only series comes from said david koch aka dewalta with alex & digby also turning heads with citadel on the flipside